Tag Archives: Moiraes

B flat

I’ve always loved B flat as a single note and F#minor as a chord. This week I was in the presence of the legendary Noirin Ni Riain and as a result I bought her autobiography. The pages revealed some common threads between us, a love for you Hildegard, among them. But the revelation that jumped completely off the page was the information she shared about B flat. She writes:

” … NASA astronomers have discovered that the earth is constantly vibrating to a steady drone that they have defined as B flat – fifty seven octaves down from the tone below Middle C on the piano. This mystical tone is one million billion times lower than the lowest sound that you can hear. So every time we sound the note B flat, we are harmonising with the ultimate, primeval cosmic music. This is the incarnate, cosmic sound of God. ‘From heavenly, heavenly harmony, The universal frame began”(John Dryden)
p124 Listen with the Ear of the Heart.

How often I have felt I was aiming to live a middle C life, and yet am constantly drawn to being a little off centre; drawn to B flat. This new knowledge is so liberating, each time I was going for middle C and denying my natural centredness which is to be in tune, in tune with B flat.

We’ve been invited in this pilgrimage at Ballyvaughan to find the beautiful question for ourselves and today were also invited to find the name we would give ourselves if we weren’t afraid of loss. In my quest this year to be more of myself, more of the time, I was drawn to own over and over, deeper and deeper my own name Moira. Moira who is Mary, great mother, Moira named after a dead little friend, Moira another name for Gaia – Mother Earth, the moiraes – daughters of Zeus – spinning, weaving and measuring life – with all of heaven and earth unable to escape from their jurisdiction. But now, as I reflect what name would I want to look back on for myself at this time and maybe it is B flat?

What would it mean to be known as B flat?

Centred and in sync with the rotating seasons; living harmoniously with the sounds and spinning of the planet in the universe. A solitary piece of the universe moving from a strong and constant axis drawing energy from a deep, dark place invisibly.

I am wondering if you had a favourite note Hildegard? And also what key you wrote your music in? Something for me to research at a later date.

I have finished my week with David Whyte and am not disappointed. It is too soon to write about the grace note resonating in my soul, but I do know listening to the tune within is pure and simple and is joining with the wind as one.

Listening to the Benedictine monks at Glenstal Abbey at vespers tonight helped me gather up the remains of the day and indeed of the week, with a final Magnificat to start singing me home.

B flat